This manuscript is both a memoir
of sorts and a work of fiction. The stories and events included
are based on my life experiences and memories but I have changed
names, details, event sequences, and outcomes throughout the work.
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Chapter 20: Dreams Asleep, Dreams Awake (Part 2)
Elizabeth believed that illusion was what both waking and sleeping
dreams had in common. Thinking back to her art analogy about the
canvas and the actual painting floating above, she could see how
whether waking or sleeping, dreams were like the paintings—all were
illusions when looked at from the eternal perspective of the
Universe.
When in a contemplative state, Elizabeth could see everyone's
thoughts and actions as layers upon layers of illusions added onto
the background of All That Is—that Being-ness containing everything
and everyone. A perfect example was when she went to see a movie or
watched television. She would watch images on a screen (another
allusion to All That Is) that recounted a story that was simply a
projected illusion. And the people portraying the cast in the
illusions were themselves people, whose lives like hers, were thought
paintings that never adhered or altered the canvas of All That Is,
but merely floated above or lay on it as if on a plastic film. Both
the stories on film (the movie) and the floating paintings (“real
life”) had the same fragile and illusive quality as dreaming. Most
human beings, though, would argue that only the film stories were
dream-like. They believed that their lives—full of emotions,
thoughts, physical manifestations, and spiritual
awareness—represented reality (the capital R reality), the only
tangible reality there was. “Without our life stories,”
Elizabeth wondered, “who would we be?” A question she was sure
many people had considered.
Elizabeth recalled a period of time where she had entertained the
idea that God/Source/the Universe was dreaming everything that
existed. She had struggled with the idea because of the way she felt
about people and places in her own sleeping dreams. When she awoke
from a dream, she did not concern herself with her dream images.
They were simply figments of her thoughts and imagination. If she
had dreamed about someone she knew, she might think about or call the
person when she awoke. But there was always a part of her that would
say, “It was just a dream. They are fine. What happened was only
in your mind not in the real world.” When Elizabeth extended this
idea to God-dreaming-the-world, she realized that when God
awoke, all the world would cease to exist, just as her dream world
ceased to exist when she awoke each morning. Elizabeth attempted to
understand how her life would make sense or have purpose if God were
dreaming her and imagining the events that occurred. Even trying to
put words to the idea was a challenge for her.
Elizabeth had also considered the idea that God was dreaming the
world to experience every possible emotion and situation that could
or would ever exist. She struggled with this scenario because God
became arbitrary, having little or no concern about the dream
characters as individuals, but only interested in his/her own
desires. Elizabeth could not conceive of a God so absorbed with
experiences that he/she had no attachment to the fact that his/her
need was creating painful and unthinkable situations for the
characters being dreamed.
The God-dreaming-the-world scenario made Elizabeth feel
fearful. She could see that her only importance and worth in the
dream were her experiences. She herself had no real identity or
substance since in the dreamer's (God's) waking reality, she did not
exist. The irony was that God-dreaming-the-world demonstrated
clearly that everyone and everything was part of a dream, an illusion
by definition! Eventually, Elizabeth had abandoned the idea because
God having a lack which would result in a desire was contradictory to
the concept and definition of God being All That Is.
The main difference between understanding that All That Is exists
as the essence of Life and God-dreaming-the-world was the
value and worth of everyone and everything. In the first scenario,
Love is the only truth and the one rule of existence. This
immeasurable Love becomes the sea in which individual droplets of All
That Is imagined Itself, created Itself, and lived Itself as Life.
Each droplet is important and valuable to the oneness and wholeness
of All That Is. In the second scenario, love is simply another
experience, a partial fulfilling of the desire to know and experience
all. Only experiences are worthwhile: The dream characters have no
value to the dreamer other than how they can be used and manipulated
to provide the needed experiences. Everyone and everything become
tokens or pawns to be maneuvered and arranged for the dreamer's
pleasure in the dream of Life. The idea of manipulation and using
everyone and everything to fulfill what seemed to be a selfish desire
was one that did not fit with Elizabeth's concept of God/Source/the
Universe/All That Is.
Elizabeth relaxed her mind and let her thoughts wander. Thinking
about God-dreaming-the-world reminded her of when her father
used to tell her that she needed to come out of her dream world. She
was a teenager at the time, and although she couldn't remember what
triggered that comment, she knew she had heard it repeatedly.
Perhaps the dream world about which her father was speaking had to do
with Elizabeth's teen-aged idealism, her particular belief system
about the world, or her daydreams about life. She hated that her
father had admonished her that way during the time of life when one
is supposed to be dreaming about the future and what possibilities
lay ahead. She realized that her father most likely had the best of
intentions in his warning. He may have been trying to get her to
look at life more realistically and not through the lens of youthful
ideals. But Elizabeth embraced the idea of looking at life
realistically soon enough and spent most of her adult life doing
just that. She would often add the term when she was disparaging
herself or denigrating her lack of discipline: “I am just looking
at life, at myself, realistically.”
Nowadays, Elizabeth wished that she could embrace and incorporate
the excitement and adventure of her teen-aged dream world into her
current life. That fresh perspective of new ideas, abundant
possibilities, and an open-armed acceptance of life's offerings would
invite magic into her daily life. How could she make that happen?
What part did her sleeping dreams and waking dreams play in the
unfolding of her life and her desire to see the flow of magic? If
she spent time interpreting her daily life as a dream, could that
make a difference?
Elizabeth looked at the clock and realized that she had spent over
an hour lost in her thoughts about dreams. It was time to enter the
dream of today and see what she could discover and learn about
magic's flow in her imagined world.
Copyright © 2011-2012 by Vicky
Lynn Macchione.
All Rights Reserved.
No reproduction of this text is allowed without the written permission of the author.
All Rights Reserved.
No reproduction of this text is allowed without the written permission of the author.
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